|
image from history.com |
Je suis Edward Clarkin.
On April 15. 1912, the ocean liner
Titanic, on its maiden voyage, struck an iceberg in the north Atlantic Ocean
and sank, taking "1,517 women, men and children to the bottom
of the ocean with her, including some of the most famous names of her
time," according to jsonline.com.
Now that was an
epic, the kind of epic that would place Leonardo DiCaprio on top of the world
one moment and at the bottom of the sea the next.
On Sept. 28, 1980,
the Washington Post published an article titled "Jimmy's World" by
reporter Janet Cooke about an 8-year-old heroin addict. "She described the
'needle marks freckling the baby-smooth skin of his thin, brown arms,'"
according to Wikipedia. "The story engendered much sympathy among
readers," leading to a search for the boy. They couldn't even find him on
Facebook. Oh, wait, Mark Zuckerberg wasn't even born yet. Nevertheless, none
other than the legendary Bob Woodward, also according to Wikipedia, nominated
Cooke for the Pulitzer prize for feature writing, which she won. "Two
days after the prize was awarded," Wikipedia notes, "Post publisher
Donald E. Graham held a press conference and admitted that the story was
fraudulent. The editorial in the next day's paper offered a public apology. ...
Cooke resigned and returned the prize."
That was an epic breach of
journalistic ethics.
On May 11, 2003, the New York Times
published an article titled "Correcting the Record; Times Reporter Who
Resigned Leaves Long Trail of Deception."
"A staff reporter for The New
York Times committed frequent acts of journalistic fraud while covering
significant news events in recent months, an investigation by Times journalists
has found," the article begins. "The widespread fabrication and plagiarism
represent a profound betrayal of trust and a low point in the 152-year history
of the newspaper.
"The reporter, Jayson Blair,
27, misled readers and Times colleagues with dispatches that purported to be
from Maryland, Texas and other states, when often he was far away, in New York.
He fabricated comments. He concocted scenes. He lifted material from other
newspapers and wire services. He selected details from photographs to create
the impression he had been somewhere or seen someone, when he had not.
"And he used these techniques
to write falsely about emotionally charged moments in recent history, from the
deadly sniper attacks in suburban Washington to the anguish of families
grieving for loved ones killed in Iraq."
Step aside, Janet Cooke. This was an
epic breach of journalistic ethics on steroids.
Which brings me to what my former
colleague Steve Collins calls "journalistic misconduct of epic
proportions."
"I have watched in recent days
as [the publisher of the Bristol Press] has emerged as a spokesman for a
billionaire with a penchant for politics who secretly purchased a Las Vegas
newspaper and is already moving to gut it," Collins wrote in his Dec. 24 letter
of resignation. "I have learned with horror [pardon me, but do I hear the
tap tap tapping of a raven as Edgar Allen Poe turns in his grave?] that my boss
shoveled a story into my newspaper – a terrible, plagiarized piece of garbage
about the court system – and then stuck his own fake byline on it. He handed it
to a page designer who doesn’t know anything about journalism late one night
and told him to shovel it into the pages of the paper. I admit I never saw the
piece until recently."
I am the copy editor to whom the
publisher handed the story "late one night" -- it was actually
sometime around 8:30 p.m., as the deadline for the New Britain Herald -- where
the story originally appeared, being reprinted with some additions in the
Bristol Press the next day -- was 9:15 p.m.
I carefully placed the story on a
blank page. I corrected a couple of grammatical errors and eliminated some
redundant lines after checking with the publisher. The piece was about business
courts -- the Herald is very attuned to the workings of the business community
in New Britain, and the publisher is active in the local Chambers of Commerce
as well as the Rotary Club -- and he made a case for the need for business
courts in Connecticut. The section criticizing Nevada judge Elizabeth Gonzalez
seemed like something personal for a person other than the publisher, but it
didn't seem libelous so I didn't raise the issue. The article would have been
more appropriate in the opinion section, but I didn't suggest that.
Since then it seems like every
media watchdog has been barking about the relationship between a Las Vegas
billionaire and the publisher. The staff of the Las Vegas Review Journal is
supposedly upset with the sale of the paper to the billionaire's family. But
has he already "started to gut" the paper, as Collins claims? So far
only the managing editor has left, with a buyout.
If I have not yet put this in perspective, let's say, for argument's sake, the publisher unintentionally crossed a line in an article that appeared in a pair of newspapers with a total circulation of a few thousand, on a page which was so poorly designed -- a virtual sea of grey with only a couple of subheads -- that only a handful of people were likely to read it -- is hardly a breach of ethics along the lines of a Janet Cooke or Jayson Blair. Yet Steve Collins would have you believe that the future of journalism is at stake, and the media watchdogs are lapping it up.
Three factors went
into my decision to unfriend Collins.
The first was a couple of days
after Collins posted his letter of resignation and started a gofundme campaign.
Jeremy Stone, the son of I.F. Stone, created an award and gave the initial one,
worth $5,000, to Collins. Stone called it a "whistleblower award."
There wasn't one iota of
whistle-blowing involved in Collins' act. He wasn't fired. He was neither
demoted nor disciplined. If Collins were indeed all about journalistic
integrity as he claims to be, he should have said thank you, Jeremy, but I
can't accept this.
The second was on Dec. 29 when he
posted a link to a column in the Day of New London that suggested the
publisher's purchase of the Block Island Times was a front for the Las Vegas
billionaire so he can bring a casino to
Block Island. And in a Dec. 30 post Collins mocked the publisher's sincere
column in his first issue as publisher of the weekly.
"We're an independent company,
and the buck stops at my door. There's no connection to anyone or any
thing," the publisher wrote. "Our only commitment is to the
communities we serve."
In the five years I've worked at
the Herald, the publisher's door has always been open, and while he won't
always be on Block Island, I've no doubt he'll be accessible to the workers
there, and that he meant what he said.
The third was a Facebook post by Collins, who has taken
to comparing himself to George Bailey in "It's a Wonderful Life" and
other icons of American idealism:
"There's battle lines being
drawn," the headline reads.
"This is a watershed moment
for American journalism," his post begins.
Las Vegas. He's talking about Las
Vegas.
"The strange, secret purchase
of the Las Vegas Review-Journal by a billionaire who has never hesitated to use
his riches to advance his political agenda has stirred us to long-delayed,
much-needed action," he continues. "That brave little band of
journalists in Nevada, who know their future is dim, are fighting back while
they can..."
Excuse me if a vision of Peter
Finch shouting "I'm mad as hell and I'm not going to take this anymore!"
didn't just flash through my mind.
In the sports department of the
Daily News, where I spent five years in the 1980s, there was a copy editor
named Eddie Coyle. Eddie was a recovering alcoholic who traded his addiction to
booze for an addiction to running. The older copy editors at the News liked to tell a story about the
"old days." The News Building had a large globe in the center of its
Art Deco lobby. One night when he came to work inebriated, the story went, Eddie climbed
on top of the globe and shouted "I'm on top of the world!"
Today Steve Collins is feeling like
he's on top of the journalism world. Tomorrow he will have one less friend on
Facebook.